The making of There's a Place called Mars...

I thought I would share a kind of a step by step process of creating my Martian quilt. My last few quilts I have worked up my initial designs on the computer. I start by scanning in line drawings then arranging and scaling them on Photoshop. Once I have things the way I want them I open my file in Adobe Illustrator, scale the image up to the size I want and print out the cartoon by selecting tiling in the print dialogue box. I join all the sheets together using clear packing tape, this makes it nice and strong. I lay my pfd fabric over the top and tape it securely to the top edge of the paper. I can see quite clearly through my white fabric and trace the design in pencil onto the fabric. I usually leave my design under the fabric while I do my painting.

On this quilt I wanted it to have a soft atmospheric quality, so I decided to try the D’uva chromacoal powders. I cut freezer paper templates of everything on the quilt. I ironed down a freezer paper template around the weird rock shape to protect the surrounding fabric. Using a stiff stencil brush I applied the chromacoal powders.


I put in the reverse freezer paper templates to color the background. This all has to be heat set when done. I put it in the oven for several minutes at the suggested temperature.

I inadvertently got a grease spot on it from the oven and then had to paint in another floaty alien thing.

This orb is painted with tsukineko inks and the jellyfish below is painted with Jaquard Lumiere, and Setacolor textile paints.

After the painting was completed. I layered the quilt with wool batting and a hand dyed back fabric. Next I hand basted the heck out of it. Wool does not have a scrim and things can shift very easy while machine quilting.

I outline quilted the painted type to help it stand out. Silver paint didn't seem like enough for the space ship so I foiled the window.
I did not want a traditional binding framing the quilt so I chose to sew the binding on and turned it to the back.
I had my husband take some slides for me. When the slides came back the colors were more vibrant on the reds than the actual quilt. And I liked it better! It really started to bug me and so I put the quilt back on the table and pulled out a red Shiva paint stick. I found a sample scrap of fabric that I had used to experiment with the chromacoal powders for the planet surface and tried out the paint stick. It seemed to give me the color I wanted so I bit the bullet and re-colored the surface of my finished quilt. SCARY.

I also used a purple Shiva paint stick to enhance the shadows on the Martian woman. I tried beads on the quilt in various places but decided the only place I wanted them was on the Martians helmet and one large one on the eye of the snake lying next to her.

Graven Images

click to get a large detailed image

I was inspired to make “Graven Images” while visiting cemeteries in New England, following up on some ancestral research. I found the symbols and images carved into the various stones fascinating in design, symbolism and historical context.

Wanting to recreate the look of stone in cloth, I hand dyed fabric in shades of gray using various techniques to emulate stone. I enlarged my photos of the stones and traced the designs using tracing paper. I put my fabric over the line drawings on a light box and traced the designs with pencil. The images were free motion quilted onto fabric and batting sandwiches creating dimensional images as though carving them into the fabric with needle and thread. Colored pencil was added to the recessed areas to create more depth. After the panels were quilted I trimmed and arranged them filling in any holes with small strips of quilted carved stone details and pieced them together.

The most haunting aspect of making this quilt was that after working on it, on and off for two years quilting the various panels, I spent 3 straight days finishing it and piecing it together, I began putting the binding on it the morning of September 11, 2001. I found this synchronicity to be so unsettling; I didn't feel comfortable showing the quilt for a year.

This was the first quilt I entered into the IQF show in Houston in 2002, it won Judges Choice and 3rd place Art Quilt Large.

Working with Photoshop.

The program Photoshop is an amazing tool. (The full package is very expensive, it is geared for professional designers and photographers, but there is a more affordable Photoshop you can get with a few less bells and whistles.) If you enjoy photography and manipulating images, I highly recommend you spend some time learning and playing with this program. If you google photoshop tutorials you will find many free tutorials that will help you learn how to use this program. Helen Cowans, a very talented textile artist and photographer in the UK has a link to some wonderful Photoshop tutorials, well worth a visit.

I took this photo of a moth that unknowingly came inside on my shirt.

The photo on the right is the original, on the left is the photo that I manipulated the color and contrast. My daughter taught me how to create the framed vintage effect on the top photo layering several images and then combining them into one image.



On the left is my original uncropped thistle photo. Once again I played with layers. I had my original as the bottom layer and placed a duplicate image on top. I desaturated the top image (turned it black and white) and then colorized it green. Using the eraser tool I erased the thistle flower from the top layer exposing the purple flowers from the bottom layer. I added an image of a vintage photo lens that I tinted sepia to frame the image and multiplied the layers.

This apple tree photo was done in a similar way, de-saturating the top layer until there was just a hint of color, then using the eraser tool to remove areas from the top layer, exposing the colored layer below.


With the shovel photo, I mostly played with the contrast and color saturation.

I took these photos at a friends home in California a couple years ago, they have a lovely property filled with fruit trees and vegetable gardens.

Playing with tea bags and more... Birds and Bees

The paper on the top left with letters is a kimwipe, the one on the right is a large black tea bag for making iced tea. The white paper below is a tea bag from hibiscus tea, the bottom two dark tea bags I left the tea dry in the bag for several days before tearing it open, I love how stained it became and kind of brittle. It really looks aged. I used a fine sharpie to draw on them.
I painted a bird only using brown paint. After it was dry I glazed paint colors over the bird and leaves. I mixed a little brown in the colors to soften them, I wanted the painting to have a vintage look. After the bird and twig was painted I mixed a diluted brown wash and painted the fabric with it.
The papers are collaged to the fabric with Golden semi-gloss gel medium.
Several of the other images are from decorative wrapping papers, and a scan I made of a page from a children's school book from the 1800's. Then I cut green rice paper leaves and collaged them to the fabric.
I quilted it with wool batting. The areas not quilted are very puffy and look like trapunto. The dark tea bag with the bee really looks leathery and old.

Karen said...

Judy,your works blending paper and quilting are so wonderful! I really like how you have achieved a vintage look with this. Can you tell us how you did the border, it looks like couching.

judy coates perez said...

Hi Karen, it is couching. When I make small quilts I trim them to size and do a straight stitch along the very edge. Then I take multiple yarns and couch them to the edge of the quilt with monofilament in the top and regular thread in the bobbin, twisting the yarns as I go.

Illustrated Document No. 1

I thought I would play around with making a mixed media paper quilt. I painted a piece of fabric to use as a base. The drawings were done on tea bags. I drink a lot of tea, so I let a few bags dry out and carefully opened them up, pouring out the used tea. I drew on the bags with a fine tip permanent marker and used liquid matte medium to collage them on the fabric. I added a couple tags from the tea and those tags that come stapled to your dry cleaning. There is also some fabric that I had printed on with a xerox machine several years ago and a piece of a sewing pattern.
I added text and marks for background patterns with rubber stamps inked with Tsukineko Inks. Then I fused the fabric to a 12 inch square of wool felt. I folded the edges over and fused them to the back of the felt. This makes a nice flat and flexible piece for stitching.I was torn with how I should quilt this since the over all look began to feel like an aged document. I thought if I quilted around the elements like my first inclination would be, that it would be too predictable a thing to do, so I decided to take a risk and do quilting that was totally unrelated to the design of the piece but related to the aesthetic of the piece.

I found a gothic tile design that I modified into a pattern that could be stitched. After quilting the design I used a copper paint stick and shaded in some of the pattern. Then the bird and butterfly started to feel lost in the design so I pulled out some colored pencils and added a little color. Working with colored pencils is so fun. Once I started adding a little color here and there I found myself touching up little areas all over. Now I think it is done.

The total list of materials and techniques is:
white cotton fabric, teabags drawn on with permanent ink pen, tea labels, dry cleaning tags, sewing pattern, fabric with xeroxed imagery, textile paint, rubber stamps, Tsukineko inks, Shiva paint sticks, colored pencils, machine quilted on wool felt.

Anonymous said...

I love this piece of art....Wonderful imagery! I am amazed by your creative ideas and appreciate your willingness to share. Could you tell me how you transfered the tile design to the surface of the paper quilt? thank you so much....

Susan

judy coates perez said...

Susan,

I traced the design onto tracing paper. (seen in the small photo) I cut a few small holes in the paper away from stitching lines and used scotch tape to stick the paper to the quilt by placing tape over the holes. I stitched through the paper and the quilt and then tore it away when I was done.

Carol Sloan said...

Judy,
I was working on the paper quilt that I posted a pic of, and had drawn out my quilting design on regular tracing paper. I tried the design on a random quilt sandwich (to make sure it was a "do-able" design).I had a lot of problems with the stitches pulling up or out when I removed the tracing paper. I tried a small design with some paper specically made for sewing a quilting design and another with the kimwipes. The kimwipes did the best but I still had a small amount of pulling on the stitches. How did you do yours/did you have the same problem? I took pics so that I could post a "hey, look ...you really don't want to do this" posting...if you have a second to help, I'd sure appreciate it.
Thanks

judy coates perez said...

Carol,

I think my machine does a pretty tight stitch to begin with. The smaller the stitches, the more it is going to perforate the paper making it tear easier. There is a lighter weight tracing paper that comes on a roll, architects use it, and it will tear easier, also I am sure you realize now you to have to pull the paper away gently. Your thread tension may be a little loose as well, try tightening it and see if that helps.

Ricë said...

i love this--fabulous! how do the colored pencils work for you? i've tried everything to set them, to keep them from smearing on fabric. you've probably addressed this somewhere else already--

judy coates perez said...

I have never actually had a problem with them smearing, but you could try painting a light coat of fabric medium over them or give them a hit of artist spray fix.

The Artful Use of Tea Bags

This is my method for drawing on a tea bag.

1. After steeping your tea, set tea bag on the counter to dry and enjoy that fabulous warm cuppa tea with a dash of cream.

2. When tea bag is completely dry (not damp) carefully remove the staple, unfold top of bag and shake out the dried tea leaves into the trash. Unless you have thought of some way to incorporate these into your art. So far it has not occurred to me, but give me time....

3. Gently, pull seam apart down the length of the bag and fold out flat, brushing away any leaves that may be clinging to the paper.

4. Draw a design on a piece of sketch paper with a black marker to use as a guide and place tea bag on top of design. You should be able to faintly see the drawing through the tea bag. Trace your design onto the tea bag with a permanent ink marker, and fill in the details.

5. Now you can use this tea bag to collage onto paper or fabric using acrylic gel or matte medium.

6. Using acrylic medium, paint the fabric where you will be putting the tea bag a tad larger than the size of the tea bag paper.

7. Press the tea bag onto the wet medium and brush more medium over the top of the tea bag sealing it to your fabric.

८. After the medium dries you can glaze the drawing with layers of transparent paint, use colored pencils, or leave it as is in all its tea stained glory।

Vicky aka stichr said...

Did you try stamping on the bag too? That should be easy also, right? I think I will dry out some coffee filters, I have the cone shaped ones that should make up to a nice "dresden plate", course I would call it something like "distressed plate"....*smile*...

judy coates perez said...

anything you can do to paper should work here. it is just that it is very thin and a little delicate so it won't hold up to a lot of abuse until it has been adhered to something else.

I like the "distressed" plate idea. that could be fun.

Anonymous said...

Hi Judy. I've been making art with tea bags and candy wrappers for a few years now, ever since seeing them used in beautiful collages at an art gallery. I have a plastic container into which I put the dried tea and coffee grounds, and then sprinkle these back into the earth in my garden or at the local park -- recycling. Your work is beautiful and an inspiration! Rosa, NY

judy coates perez said...

Hi Rosa, thanks.

Sprinkling the grounds in the garden is a great way to use those leaves and grounds. Unfortunately I don't have a yard where I live.

Anonymous said...

Judy- these paper quilts are stunning. I especially love the color and the quilting of the first one- unbelievable. Is the colored paper rice paper or do you use something else as well? When you do your quilting, do you use an additional layer of fabric or a stabilizer and then fuse the whole thing to peltex?
Thank you so much for sharing.
Kay

judy coates perez said...

Thanks Kay,
Each paper quilt has different kinds of paper. I try to explain in the description of each quilt what I have used to create the piece. The first one with the beetle only uses tea bags. The one with the bird shaman uses rice paper for the bird figure. All the papers except for the blue leaves on the bird shaman piece started out white and became colored by the painted fabric underneath or buy glazes of paint over the top.

I do not use a stabilizer, the layers of paper and paint give the piece enough body to stitch on. The last two pieces had all the stitching done before I fused them to the Peltex. The first one, I fused to Peltex and then quilted.

Meg in Albuquerque said...

I'm thinking that you could sprinkle the tea leaves on some PDF fabric and then use a spray bottle, get the fabric good and wet and see what happens after it dries. I've been saving those great triangle tea bags, I know someday I'll find the perfect use for them.

Margaret S said...

hi, to give the decorated T bags a different surface finish you can wax them, i use an old iron and wax candle. great for antiquey finishes.

Mixed Media Paper Quilt #2

Last night I made this paper/fabric quilt. I used some decorative paper for the flowers, pages from an old book for the leaves, inkjet prints of my little paintings (egg, sprout & bee), a dress pattern, a collaged xeroxed piece of fabric (root) and textile paint. This piece was stitched first and then fused to peltex. I painted some fabric with gold, cut it with pinking shears and fused it on for a binding. Sewing the buttons on the flowers are so unlike me, but I thought they needed a little extra something and these lime shell buttons seemed like just the thing.